I-bean

i-bean:

1.     SA LS of Louise walking round the corner, pulling out phone

2.     LA MS of hitman adjusting camera, already in position

3.     SA MS pan of her dialling a number

4.     SA MS of hitman bending over camera

5.     SA CU of Louise “still” then after a sec. move on

6.     SA CU of hitman looking at picture

7.     SA CU of Louise “still” looking round after a sec. move on

8.     SA MS of Louise talking with person on the telephone

9.     SA CU of Louise “still”

10.  SA CU of Louise “still”

11.  SA CU of Louise “still”

12.  SA MS of Louise looking back pan or track her crossing the road

13.  HA MS of hitman putting his equipment away

14.  LA MS of camera in camera bag and him closing it

15.  LA CU of Louise’s feet walking past and stopping

16.  SA CU of her face talking to person on telephone and hanging up

17.  POV of her pressing the “hanging up button” then panning to look up street

18.  SA LS from across the road to see her looking then turning round she goes on

19.  SA LS in room facing a chair whose occupant is looking out of the window

20.  SA MS of his hand pouring himself a glass of brandy

21.  POV lighting a match

22.  SA ECU of his mouth lighting cigar

23.  SA LS of Louise coming towards camera and then turning to face a house

24.  SA MS of her walking towards the door

25.  SA ECU of her putting a key in the lock and turning

26.  LA MS of Worthington sipping brandy knocking on door

27.  SA ECU of  Worthington saying “enter”

28.  SA ECU of door handle turning

29.  LA ECU of door opening slowly

30.  SA MS of Louise coming in

31.  POV of Louise looking towards Worthington

32.  SA MS of Worthington putting cigar down

33.  SA MS of Worthington getting up from behind

34.  LA MS of window  Worthington walking into frame

35.  HA MS of Louise talking to Worthington

36.  SA ECU of Worthington’s mouth from side answering

37.  SA MS of Louise talking

38.  SA MS of Worthington from behind answering

39.  SA MS of Louise asking if she can go

40.  SA MS of Worthington’s reflection says yes eyes narrow

41.  POV of Louise seeing laptop

42.  SA MS of Louise leaving the room

43.  SA MS sound bridge of door shutting Worthington turns round

44.  SA MS of Worthington reaching towards telephone

45.  POV dialling number

46.  POV receiving person getting out phone

47.  ECU of name of caller: Worthington

48.  SA CU of Worthington telling person to do it today and make it look like an accident

49.  SA ECU of cigar being stubbed out

50.  SA MS of hitman turning phone off

51.  SA CU of face curling into sly smile

Sunday 22 Nov

Petrol cans

Taxi sign

ID cards

Shirt and smart trousers

Suit

Baseball cap

Car

Matches

Scarf

Decided on final ideas for Crime Film extract               Done

Compiled shot list timed shots                                     Done

Drawn up detailed storyboard                               Done

Found suitable actors                                                 Done

Location recces                                                              Done

Found suitable locations                                             Done

Compiled prop list                                                   Done

Found suitable props

Planned a shoot                                                             Done

Booked camera equipment                                           Done

1.    Wide angle long shot of the car driving up the street pan to follow car.

2.    Close up from front passenger seat of woman in the back..

3.    Close up of him turnig radio on.

4.    Eyes of driver in the rear mirror.

5.    POV of the driver as he reaches a fork in the road.

6.    Mid shot backseat from woman who says take the left/ right.

7.    Close up of indicator going right/ left and the steering wheel turning.

8.    Extreme close up on face of woman who says what are you doing.

9.    Close up on locks closing.

10.  Mid shot of woman trying to get out.

11.  Close up of him doing something with the gear stick.

12.  High angle of the car stalling.

13.  Extreme close up of the locks unlocking.

14.  Mid shot with the camera on the backseat of woman getting out.

15.  Outside view of her getting out.

16.  High angle of her escaping.

17.  Low angle of door opening and Franks foot coming out.

18.  POV of Frank loking over the car roof panning to follow the woman.

19.  Long shot of him walking around the car.

20.  Close up of feet swivelling.

21.  Close up of seat he comes into the picture angry face door slaming.

22.  Mid shot of passenger seat of him hitting the steering wheel.

23.  Close up of the exaust pipe with car starting stationary camera car drives away.

24.  Long shot of  woman coming out of the crowd.

25.  Mid shot of her looking back nervously.

26.  Over the shoulder shot of her loking left and right (bus passing).

27.  Camera stays with her going away from it panning to follow her cross the road.

28.  Tracking shot stay at the police sign.

29.  Mid shot of her opening dorrs (location change).

30.  Mid shot of her coming in from the inside.

31.  POV receptionist long to mid shot of her coming to front desk.

32.  Over the shoulder of the receptionist detectives walking into shot as the woman             tells the receptionist what happened.

33.  Mid shot of detectives reaction.

34.  Pan to the side of the car driving across the road.

35.  Mid shot from passenger seatwith sweat on Franks forehead.

36.  POV looking down at the road.

37.  Looks in rear view mirror sees scarf.

38.  Reaches for scarf.

39.  POV of scarf with Frank reaching towards it.

40.  Takes scarf to throw it out of the window.

41.  Close up of control panel and Frank opening the window.

42.  Pan of window going down.

43.  Mid shot of scarf flying out.

44.  Stationary camera of scarf landing and car driving of.

45.  Camera looking at sign car coming.

46.  Other side car going.

47.  Looking in the wing mirror to see Franks reaction.

48.  Close up of Frank turning of the radio.

49.  Over the shoulder shot looking through the windshield.

50.  Long shot of car coming into wasteland pan to follow car twisting.

51.  Mid shot of him getting out of the car.

52.  Low angle of him walking to the boot.

53.  Under the car shot of the feet.

54.  POV close up seeing boot opened.

55.  Camera inside the boot looking up to see his face he reaches in for something

56.  Mid shot side view of him taking out a canister.

57.  Shot from the front of the car panning to see him come round.

58.  He openes canister and poures it over the car (jumping camera).

59.  Close up of his pocket pulling the matchbox out.

60.  Close up on Franks trembeling hand fumbles with the matches.

61.  Close up in front of Frank looking at him breaking matches.

62.  POV looking down manages to light one.

63.  Close up of eyes lighting up.

64.  Close up of lips curling into a smile.

Extract:

A man and a woman are in a car. Then the car stalls and the woman manages to escape and runs into a town centre. Frank, which is the name of the man driving the car, starts after her but soon gives up. He restarts the car and drives off.

Meanwhile the woman arrives at a police station. She speaks to the person at the front desk, telling them what happened. Two detectives who are on the case overhear what she says and walk over to them.

Frank is driving to a wasteland, he is panicking. He stops in the wasteland, pulls out a can of petrol and pours it over his car. He strikes a match, it takes him several attempts but he succeeds in the end.